‘Uncle Tom II’ Delves Into Communist Infiltration of Civil Rights Movement: Filmmakers

The Civil Rights Movement was perceived as a high point in American history and a great victory, but one of its outcomes was a rhetorical and cultural shift that instilled in black people a sense of oppression and victimhood, said the documentary filmmakers of “Uncle Tom II: An American Odyssey.”

In terms of black culture, the movement “moved black people from a trying race to a crying race, where we learned to be victims; we learned to be individuals who are now dependent on the state and the government,” said Chad Jackson, who co-wrote and starred in the film.

Before the civil rights movement, however, black people depended on their men, their families, and their churches, which were a kind of central hub for prosperity and productivity, Jackson told EpochTV’s “Crossroads” program in an interview.

While the original film “Uncle Tom,” written and produced by Larry Elder, shows that the conservative black exists, the second part, “Uncle Tom II,” digs deeper to find “the root causes of the racial tension in America,” said director Justin Malone.

“Uncle Tom II” reveals the strategy of the gradual demoralization of America using Marxist infiltration of its institutions, and black America as its number one tool, with the goal of “obtaining power, destroying capitalism, and replacing God with government,” according to the film’s website.

The filmmakers found it especially important to lay a foundation because a lot of people have never learned about Karl Marx, Mao Zedong, and Joseph Stalin—who they were, or the principles of the communist ideology and how it works, Malone said during the joint “Crossroads” interview with Jackson.

Marx was the founder of the communist doctrine, while dictators Stalin and Mao imposed the doctrine on their societies in Russia and China, respectively, making these countries totalitarian states.

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