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$69M worth of looted artifacts seized from Met trustee, including museum loans.

A ⁢Trustee’s Collection: ​Seized ‌Artifacts ⁣and ‍Controversy

In a stunning ‍turn of events, ⁤an‍ 84-year-old emeritus trustee ⁤of‍ the Metropolitan ‍Museum‌ of ‌Art ‌in New ‍York ⁣City, Shelby⁢ White,‌ has‌ had nearly⁢ $70 ​million⁣ worth of looted artifacts ‌seized ⁢from‌ her possession ⁢over the ⁤past⁤ two ‌years.‌ The investigation, conducted ⁤by ⁤the ⁢Manhattan⁢ District Attorney’s ​Office’s Antiquities Trafficking ⁤Unit,​ has ​raised ‌questions about​ the origins ‌of‍ these​ artifacts​ and the role of ‍White⁢ and her ⁤late husband, investor‌ Leon Levy, in acquiring them.

According to ⁣a⁢ report from ‌The‍ New ‍York Times, ‌71⁣ looted artifacts were seized ‍from ⁢White’s Manhattan‌ apartment, with ​an additional 17 ⁤artifacts loaned⁢ to the museum also ​being⁢ seized​ under suspicion of theft. The seized items ‌include a bronze ‌statuette of⁢ Roman emperor ⁣Lucius ‍Verus, ‍valued ⁣at⁤ $15 million, ⁢which‌ belongs to Turkey. ‍Another notable‌ artifact ⁣was a seventh-century⁣ Chinese‍ funerary ‍artifact ⁤that still contained dirt, indicating its previous ‌looting. This ‌artifact ⁤has‍ since been‌ returned ⁤to ⁣China.‌ Other seized ‌items include ⁢a mixing bowl ‍and an ‍amphora⁣ from the‍ sixth century⁢ B.C.,⁤ among​ many others.

While investigators ⁤have not ⁢suggested that White ⁣knowingly acquired‌ these artifacts ⁣with knowledge ‍of their illicit ⁢origins, some‍ experts have⁣ expressed doubts.⁣ Elizabeth Marlowe, ⁤director of museum⁤ studies at Colgate University, stated, “There ⁤is no way⁤ that‍ someone ‍at her​ level of ‌the market and her depth⁣ of‍ collecting⁤ and her‌ prominence at the ⁤Met, ⁣there‍ is no ​way⁢ someone⁢ at⁤ that level⁢ did​ not ⁢know‌ they‍ should ‌be ​asking for things ‌like export licenses.” ​Patty Gerstenblith, ⁣a professor‌ at ​DePaul University, criticized‍ White’s⁢ collecting practices, stating ‌that they do not align ⁤with the ethical ​standards of preserving ⁢the⁣ historical record.

White’s⁣ lawyer, Peter​ A ‌Chavkin, maintains that any ‌looted items in ⁣her ⁤collection have been​ promptly and voluntarily returned‌ to‌ their ‍rightful⁤ place of origin.⁣ He asserts that White and⁤ Levy⁢ purchased all​ the ‌antiquities in⁢ good ‌faith from ‍reputable dealers. The⁣ Met‌ has also come ⁢to White’s defense, with⁤ director ⁣Max Hollein⁢ praising⁣ her⁤ as a “profoundly ⁤generous supporter” who ‌has ⁣made ⁤an enormous⁤ impact ⁣on ⁢the museum and ⁢other ⁤institutions.

Despite ⁣the‌ controversy ⁢surrounding​ White’s collection, ​the‍ Met ⁢has not⁤ distanced itself from ‍her. White ​and Levy ⁤had donated ​approximately $20 ‍million to ⁣the ‍organization,‌ and in ⁢2007, ⁢the ⁣museum ​unveiled ​the Leon ⁤Levy and Shelby White Court, which is described as ⁢the⁢ centerpiece ​of the ⁣Met’s Greek⁤ and ​Roman galleries. White​ continues ‌to be ​involved in⁣ various⁤ committees⁤ at the⁤ museum, offering ‍advice and​ expertise.

The‌ investigation ⁤into ‍White’s⁤ collection has⁢ concluded ⁢for now, ⁤but the Manhattan‍ District⁤ Attorney’s ⁢Office ‍has​ stated that it will ⁤reexamine the‍ case if new⁤ evidence ⁤emerges. This high-profile ‌incident ⁣serves‍ as‌ a reminder of​ the​ ongoing⁢ challenges in the⁤ world of ‌art⁢ acquisition and‌ the importance⁣ of provenance research.

Sources:

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