Hit Series Foundation
Foundation: A Visionary Science Fiction Series
Our entertainment landscape has been forever changed by the streaming revolution ignited by Netflix’s success. With the COVID lockdowns further accelerating this competition, the industry has witnessed strikes by writers’ and actors’ guilds. Throughout this period, streaming platforms have invested billions in search of a profitable model.
The heart of this endeavor lies in the creation of fictional TV universes that can rival the success of HBO’s iconic series, Game of Thrones. The goal is to captivate audiences over the span of a decade, fostering a deep connection with the service. While Netflix had initial success with shows like House of Cards and Stranger Things, it seems to have lost its momentum. Disney, on the other hand, has placed its bets on consolidating its vast array of properties on its own streaming platform. HBO, now known as MAX, appears to be challenging its own brand. Amazon, despite investing heavily in Lord of the Rings, has yet to achieve significant success.
Amidst this fierce competition, AppleTV+ has taken a different approach, demonstrating remarkable restraint. It made a modest investment in adapting Isaac Asimov’s beloved science fiction series, Foundation. While the production is expensive, it doesn’t come close to the hundreds of millions spent by other platforms. The show boasts stunning visual effects that blend techno-modernism with ancient oriental styles, reminiscent of the Art Deco movement from a century ago.
The story of Foundation is grand in scope, depicting the collapse of a galactic empire and the rise of a modernist rival, the eponymous Foundation, over the course of a millennium. It weaves together multiple storylines set in the galactic capital Trantor, a planetwide techno-city, as well as in space and the austere outlands. This science fiction thriller also serves as a coming-of-age tale, resonating with the anxieties surrounding the decline of American power.
The first season of Foundation delves into themes of decline and progress, exploring societal issues rarely contemplated in mainstream pop culture. It fearlessly draws inspiration from sources predating most contemporary nostalgia trends, offering a bold and forward-looking perspective.
The highly anticipated second season of Foundation is now underway, and early episodes confirm the confident unfolding of creator David S. Goyer’s vision. The show stands apart from the crowd, disregarding the trends that often attract critical attention. In fact, it has become the best science fiction series on TV and a prestige drama that surpasses many others. Apple’s commitment to renewing the show for a third season demonstrates their dedication to a long-term project, even as other production companies scramble to cut costs or abandon ambitious ventures.
Without revealing any spoilers, the story of Foundation follows the parallel journeys of genius mathematician Gaal Dornick and warrior Salvor Hardin as they navigate the historical challenges faced by the Foundation. Alongside their mission to save civilization from decadence, they grapple with questions of personal freedom and their role in shaping the future. The Foundation’s predictions, organized by mathematical genius Hari Seldon, elevate him to the status of a religious figure and prophet.
In the first season, Gaal and Salvor confront their respective challenges in parallel timelines, gradually drawing closer to an inevitable meeting that takes place in the second season. This convergence leads them to a deeper understanding of their unique relationship with time, adding a human and emotional dimension to Goyer’s masterful exploration of temporal concepts. From the implications of cloning to predictions of the future and the effects of nonlinear storytelling, Foundation delves into modern man’s existential vulnerability and the loss of nature and providence.
As the only ambitious show that presents its audience with an elite vision of themselves, Foundation replaces Asimov’s male adventurers with female protagonists who embody unwavering determination. The internal struggles and suffering they endure on their path to the elite Foundation, while unable to fully grasp the future or leave the past behind, serve as a central theme. This mirrors Goyer’s exploration of what has happened to our own progressive politics, now dominated by women from college campuses to corporate HR departments. The show evokes memories of the previous decade’s Westworld, which shared concerns about artificial intelligence and corporate power, and was co-created by Jonathan Nolan, who collaborated with Goyer on the Dark Knight trilogy.
It is too early to predict what insights the elites will glean from a story that delves into variations of Einstein’s paradox and the complexities of genetic manipulation. Goyer skillfully portrays a post-religious world, one devoid of sacred restraints, where clones and A.I. are worshipped as gods. The commands issued by these new masters remain a mystery, waiting to be discovered.
Foundation is now available for streaming on Apple TV+.
Titus Techera is the executive director of the American Cinema Foundation and a film critic for Law & Liberty, the Acton Institute’s Religion & Liberty, and the Free Press.
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