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Taylor Swift’s movie falls short in box-office earnings.


Latest News

6:58 PM UTC⁤ – October 16,​ 2023

LOS ANGELES (Reuters) – Taylor Swift’s concert film has ‍taken ‍the world by storm, raking in ⁤a staggering $123.5 million in ticket sales over the weekend, according to AMC Theatres (AMC.N), the film’s distributor.

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AMC had initially projected that⁣ “Taylor Swift: The Eras Tour” would reach a total of​ $126 ​million to $130 million in sales for shows held ​from Thursday through Sunday.

Out of ⁤the ​global total, approximately $92.8 million came⁤ from the United States and Canada, falling slightly short of the $95 million-plus prediction ⁤made on Sunday.

“The Eras Tour” now holds the title for the highest-grossing concert film in history, surpassing Justin Bieber’s 2011 film “Never ⁣Say Never,” which​ collected $99 million worldwide⁣ over its entire run.

The success of‌ Swift’s ⁢movie has provided a much-needed⁤ boost to cinemas, which‍ have been struggling with⁣ a lackluster ​autumn lineup ‌due to delays‍ caused by a Hollywood actors’ strike, including the highly anticipated “Dune:⁢ Part Two.”

Reporting by Lisa Richwine; Editing by Rod Nickel

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How has Taylor Swift’s concert film ⁤impacted the struggling cinema​ industry

Latest News: ⁢Taylor Swift’s ‌Concert Film Breaks Records ‌with $123.5 Million in Ticket Sales

October 16, 2023 – LOS⁤ ANGELES (Reuters) -‍ Taylor Swift’s concert film has taken the world by⁣ storm, raking in a staggering $123.5 million in ticket sales over⁣ the weekend, according to AMC Theatres (AMC.N), the film’s⁣ distributor.

AMC ‍had initially projected that “Taylor Swift: The Eras Tour” would reach a total of ⁣$126 million to​ $130 million in sales ‌for ​shows held from Thursday through Sunday.

Out of the global total, approximately $92.8 million came from the United States and Canada, falling slightly short⁣ of the $95 million-plus prediction made on Sunday.

“The Eras Tour” now holds the⁤ title for the‍ highest-grossing‍ concert film‌ in‍ history, surpassing Justin ⁤Bieber’s 2011 film “Never Say Never,” which collected $99 million worldwide over its entire‍ run.

The success of Swift’s movie has provided a much-needed boost to⁤ cinemas,⁢ which have been struggling with a lackluster autumn lineup‍ due to delays caused ⁣by a Hollywood actors’ ‌strike, including the highly anticipated “Dune: Part Two.”

This ‍remarkable achievement by Taylor Swift showcases the ​continued popularity ⁣and influence of her ⁤music,⁣ as ⁣well as the dedication and loyalty ⁣of her fanbase. ⁣Swift’s ability to engage with her audience both⁣ through live performances and now through ​a concert film demonstrates her versatility as an artist.

The impact is not ​only limited to‍ her own brand but extends to the overall industry as well. The boost‌ in⁤ ticket sales has breathed new⁤ life‍ into cinemas, offering them a glimmer ​of hope ⁤in the⁢ face of challenging ⁤times. The cinema industry ⁤has been struggling due to the ongoing actors’ strike and a lack of compelling films in the current​ lineup. The success of “Taylor Swift: The Eras Tour” provides a much-needed injection of revenue and⁣ enthusiasm to ⁤help sustain cinemas ⁢through‌ this ‍challenging ⁣period.

Taylor Swift’s achievement also serves as an inspiration​ to other ⁢musicians and filmmakers, showcasing the potential of concert films as a lucrative ‌tool to engage‌ with fans and generate ‍significant revenue. ​This success paves⁣ the way for more innovative and immersive concert experiences in the⁤ future, ‌creating new avenues for artists to‌ connect ‌with their audience on a global scale.

In conclusion, Taylor Swift’s concert film surpassing‍ previous‍ records highlights the power of her music and the dedication of her fanbase. It brings positive ⁢news to the struggling cinema ⁢industry, offering hope for a better future.‍ This accomplishment sets a​ new standard for concert films and inspires artists to explore new avenues of creativity. Taylor Swift’s impact on the entertainment industry‍ continues⁣ to grow, making her​ a force to be reckoned with ⁢both on stage and on⁢ the big screen.

Reporting by Lisa Richwine; Editing by Rod Nickel



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