London play invites exclusively black audience, featuring ‘Game of Thrones’ star, to be ‘Free From The White Gaze
A London Play Celebrates Black Audiences with ”Black Out Nights”
Get ready for an extraordinary theatrical experience! A London play starring the talented Kit Harrington from “Game of Thrones” is breaking barriers and hosting two exclusive performances for black audience members. These special nights, known as “Black Out nights,” aim to create a space where black individuals can enjoy the play “free from the white gaze.”
The highly acclaimed play, “Slave Play,” which received 12 Tony nominations in 2021, will be showcased at the prestigious Noël Coward theater in London’s West End from June 29 to September 21. The groundbreaking “Black Out nights” will take place on July 17 and September 17.
The theater explains that “Black Out nights” are designed to provide an environment where all-black audiences can fully immerse themselves in the performing arts without feeling the presence of the white gaze. It’s a unique opportunity for black individuals to engage, discuss, and celebrate the arts, film, athletics, and culture.
Controversy and Support
As with any groundbreaking initiative, there are differing opinions. British Prime Minister Rishi Sunak’s office released a statement expressing concerns about restricting audiences based on race, emphasizing the importance of inclusivity in the arts.
However, the play’s producers are determined to increase accessibility to theater for everyone. They assure that no one will be prevented from attending any performance of “Slave Play.” The Broadway production inspired the concept of “Black Out nights,” and the London team is carefully considering how to incorporate this endeavor into their 13-week run.
A Radical Invitation
Playwright Jeremy O. Harris passionately defends the need for initiatives like “Black Out nights.” He believes that historically, poor and black individuals have been excluded from the theater, and it’s time to change that narrative. Harris emphasizes the importance of radically inviting black and brown people into the theater, making them feel like they belong and that the theater is a space for them.
“One of the things we have to remember is that people have to be radically invited into a space to know that they belong there and in most places in the west, poor people and black people have been told that they do not belong inside the theatre… For me, as someone who wants and yearns for black and brown people to be in the theatre, who comes from a working class environment, who wants people who do not make six figures to feel like theatre is a place for them, it is a necessity to radically invite them in with initiatives that say ‘you’re invited.’ Specifically you.”
If you’re excited about this groundbreaking initiative, don’t miss out on the chance to be part of the experience. Book your tickets for “Slave Play” and join the celebration of black audiences during the incredible “Black Out nights.”
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Experience the thought-provoking play that challenges societal norms and explores the complexities of interracial relationships. “Slave Play” delves into the lives of three modern-day couples as they navigate tensions through “antebellum sexual-performance therapy.” The black characters in the play seek to reclaim pleasure in their relationships with their white partners through racially-charged sexual roleplaying.
Why is representation important in theater, and how do “Black Out nights” contribute to increasing diverse representation?
Ionately defends the concept of “Black Out nights,” viewing them as a radical invitation to create a safe space for black audiences. Harris argues that traditionally, the arts have been dominated by white narratives and have failed to properly represent and include black voices. “Black Out nights” aim to disrupt this pattern and rectify the lack of diverse representation in theater. Harris believes that by creating a space free from the white gaze, black individuals can engage with the work more authentically and delve into challenging conversations about race and identity.
The response from the black community has been overwhelmingly positive. Many individuals appreciate the opportunity to experience the play in a supportive environment, surrounded by people who share similar lived experiences. The importance of representation cannot be understated, and “Black Out nights” provide a space where black audiences can see themselves reflected on stage and feel heard.
In addition to the “Black Out nights,” the play’s producers are also organizing post-show discussions, workshops, and events specifically catered to black audience members. These initiatives aim to deepen the engagement and provide a platform for open dialogue. It is hoped that these discussions will foster a sense of community, encourage reflection, and ultimately contribute to social progress.
While the concept of “Black Out nights” has sparked controversial discussions about the boundaries of inclusivity, it is undeniably a step towards addressing systemic inequalities within the arts. By creating a dedicated space for black audiences, it allows for a more nuanced understanding of representation and aims to dismantle the historical barriers that have marginalized black voices.
“Slave Play” serves as a catalyst for change and conversation, challenging societal norms and demanding introspection. These “Black Out nights” offer a unique opportunity for the London theater scene to push the boundaries of inclusivity, celebrate diversity, and create an atmosphere where marginalized voices can thrive.
So mark your calendars for July 17 and September 17 and prepare to be a part of an extraordinary theatrical experience that celebrates and empowers black audiences. It’s time for “Black Out nights” to shine a spotlight on the richness and diversity of black voices in the arts.
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