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Notre Dame supports Drag Show, says it aligns with Church teachings.

From Joke to Mainstream: The Rise of Drag and Cross-Dressing

Once⁣ the punchline of‌ jokes, drag and cross-dressing have undergone a remarkable transformation in recent years.‌ What was once considered comedic fodder, ⁣showcased in movies like “Mrs.​ Doubtfire” and “Juwanna Mann,” has now‍ become ⁤normalized and even⁣ celebrated.

However, ⁤this shift has raised concerns among those who grew ‌up⁤ in the​ 90s, who assumed that drag and cross-dressing would remain ⁤on the fringes of society, even if ⁢they became ‌more accepted.

But as ⁤it turns out, assumptions can be ⁢misleading.

Drag and cross-dressing have not only‌ moved away from the fringes of society, but they have also​ infiltrated some⁢ of the most prestigious institutions‍ of‌ higher learning⁤ in America. Take, for ⁢example, the University of ⁤Notre Dame, a Catholic academic community that recently faced backlash⁣ for hosting⁢ and promoting a drag show on its campus.

The upcoming event, titled “What⁣ a Drag: ⁤Drag on Screen ‌– Variations and Meanings,” is not just a performance but also a symposium on the ⁢history of drag. This move has sparked resistance from students who see it as a violation of their Catholic ‌doctrine.

Despite the protest,⁣ the university’s response⁤ has been⁤ unsatisfactory. The school president,⁤ Father John Jenkins, defended the event under‌ the guise ⁣of academic freedom, ‌stating that even objectionable content​ should be allowed.

Even more concerning is the response ⁢from Pam Wojcik,‍ the chair of the Department of ⁤Film,‌ Television, and Theatre at Notre Dame. She‌ not ​only defended drag but also ⁤seemed to⁣ imply that opposition to it is driven by Republicans.

Wojcik’s statements are not only ⁤tone-deaf but also⁢ disregard the Church’s ‍teachings ⁢on the matter. The Bible is clear in Deuteronomy⁢ 22:5 that cross-dressing is considered⁢ an abomination.

Despite the evidence, ⁤Wojcik insists that drag is not anti-Catholic and​ has a long tradition. She believes that the class on⁤ drag is an opportunity⁤ for students to learn about⁣ it in an ⁢intellectual environment, free from the ⁤hysteria she perceives from Republicans.

While it’s important to acknowledge ⁤that ​not all‌ faculty members at Notre Dame share this viewpoint, the fact ‌that such ‍a show is being promoted at a faith-driven university raises questions⁤ about its commitment to ​its Catholic identity.

This entire drag show debacle ⁤highlights the school’s lack of ​understanding when it comes to biblical ‍truths and further ⁣solidifies its reputation as just another​ far-left bastion masquerading as a ‌”Catholic academic community.”


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How has the LGBTQ+ ⁢rights movement⁤ contributed to the ⁣rise of ​drag and‌ cross-dressing in mainstream society?

As ⁤no intention of disrespecting the teachings of the Church. She argues that ‍drag can be seen‍ as‌ a form of artistic expression ⁣and self-empowerment,⁣ with performers challenging societal norms and expectations.

The rise of drag and cross-dressing in mainstream society can be ⁣attributed to ⁢various factors. One of the key drivers is⁣ the LGBTQ+ rights ​movement, which has fought tirelessly ​for⁣ equality and acceptance. As a result, society has become more ‌open-minded‍ and inclusive, allowing for ‍the flourishing of drag and cross-dressing as valid forms of self-expression.

Popular culture has also played a significant role in the⁤ normalization of drag and cross-dressing. Television shows like “RuPaul’s Drag Race” ⁤have gained widespread popularity, bringing drag into‌ the living rooms⁣ of millions of viewers. Drag queens have become recognizable figures, celebrated for their talent, charisma, and unique fashion sense.

Furthermore, the fashion industry has embraced the aesthetics of drag ‍and cross-dressing. Designers such as Jean Paul Gaultier and Vivienne Westwood have incorporated elements of ⁤drag into their collections, pushing boundaries and challenging traditional gender norms.

It is important to recognize that drag⁤ and cross-dressing are not solely​ limited to the LGBTQ+ community.‍ Straight individuals have also been ‌actively involved in these art forms, highlighting ‌the inclusivity and diversity that they represent.

However, ⁤the rise ​of drag and cross-dressing has not​ been without its challenges. There are still pockets of resistance and prejudice that ​persist, particularly in conservative and‌ religious communities. Just as the University of Notre Dame faced backlash for hosting a drag ​show, similar incidents have occurred in other ‍institutions and⁣ communities.

Nevertheless, the overall trend is clear ‍- drag and ‍cross-dressing are moving from ⁣the margins ⁢to the center of ​mainstream ⁣society. They are no longer jokes or taboos but are instead celebrated ‍for their creativity, artistry, and ability to challenge societal norms.

As society progresses, it is ⁢essential to embrace and respect diverse forms of self-expression. Drag and cross-dressing ⁤have proven to be powerful tools⁢ for dismantling stereotypes, promoting acceptance, and celebrating the⁢ beauty of individuality. From the stage ⁣to the runway, these art forms have come a ⁣long way, and their journey is far from ⁢over.



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