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Feminists despise Netflix’s hit show due to a single line.

Review: Feminists Hate Netflix’s Wildly Popular Hit Show – It’s All Thanks to One Line of⁣ Dialogue

It’s been over a month ⁤since “One Piece,” the live-action adaptation of the Japanese manga and beloved anime series, first hit Netflix worldwide to both critical‍ acclaim and audience enjoyment.

Debuting on Aug. 31, the television show raked in 1.39 billion minutes watched domestically from Sept. 4 to Sept. 10, becoming the ⁣No. 2 ⁢title of the week on Nielsen’s weekly streaming rankings. The eight-episode series also rose‌ to the No. 1 spot on Netflix ⁢ globally with 37.8 million views in less ​than two weeks‍ of its release, allowing for a second season to move forward.

Everyone‍ seems to be loving “One⁣ Piece” for the most part based on the streaming numbers, but that’s not ⁢to say there haven’t been some detractors — ‌particularly ⁢feminist‌ ones.

Specifically, there is ⁢one line of dialogue in the show that sent feminists reeling:

“Girls can beat ⁣boys, but⁤ no woman can beat a ‌man.”

Now I’m ‍no feminist, but I was pleasantly surprised to hear a character deliver that line unironically.

For context, it ​was used⁣ in a flashback scene where one of⁤ the main⁣ characters, Zoro, ⁢fought⁢ a girl named ‍Kuina to prove his worth in sword fighting. A young Zoro kept losing to her, ⁢but Kuina knew she wouldn’t continue winning as they grew older.‍ He would eventually outperform her in ​“size, strength and speed,” as she said, ⁢highlighting the biological differences ⁣between men and women and how that ​dynamic plays‍ in a fight.

It’s a bold statement, ⁤but it’s the truth.

A brash Zoro couldn’t accept ‌it at the time, and he⁤ would⁣ only realize that truth⁢ as he aged. Still, both make a vow to continue training together until one becomes the​ world’s ​greatest swordsman — a promise that Zoro carries throughout the first season.

Would ⁢you watch “One​ Piece”?

  • Yes
  • No

Kuina’s admission directly opposes the “strong female character” trope that Hollywood loves to insert anywhere⁣ it can, and ⁤this is all thanks to the original creator’s involvement in the live-action adaptation.

Though it’s unknown whether there was⁣ any creative disagreement over ⁤the line, Eiichiro Oda reassured​ “One Piece” fans “there⁣ were⁢ no compromises on this show” with⁢ Netflix or the production studio. ‍“Even after the shoot was over, there‍ were numerous scenes the production agreed‌ to re-shoot because I felt they weren’t good enough to put out into the world,” he wrote⁢ in a letter.

In another, he even said Netflix “won’t launch ⁣it until I’m satisfied.” Oda serves as an executive producer on the series.

It’s likely the live-action “One​ Piece” remained so non-woke throughout ​production because his creative control steered the production crew in ‍the right direction. Without him in⁢ that role, there’s a very good ⁣chance ‍the “no woman can beat​ a man” line wouldn’t have made it into the final product.

Moving on⁣ from that one scene⁣ and Oda’s hands-on involvement, ​Netflix’s “One Piece” is a fantastic show that prioritizes ​storytelling ​over propaganda and satisfying ​character arcs over uninspired acting performances. And it’s all because the series is written superbly well.

The story never ‍gets stale or boring because characters drive the plot forward instead of the plot​ driving‍ the characters. Each character has distinct, ⁣believable motivations that audiences⁣ can understand and empathize with because ⁤the series takes its⁢ time to show their emotional backstories.

Although ⁣the world is fantastical (as indicated by⁢ the protagonist’s stretchy powers and the existence of ‍a fish-men gang),‌ it’s oddly not ridiculous and laughable. Rather, you take the whimsical world seriously because the characters don’t question it.

Overall, ⁤the Netflix original‌ is just plain ​old fun that isn’t​ concerned ⁣with shoving a ‌message down your throat. Instead, the narrative⁢ is entertaining.

“One Piece” follows the‍ adventures of young captain Monkey D. Luffy assembling his Straw Hats crew and evading various‍ enemies as ‍he strives to find the legendary⁢ “one piece” treasure and become King ‌of ⁢the Pirates.


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The post⁤ Review: Feminists Hate Netflix’s Wildly Popular Hit Show – It’s All Thanks to One Line of Dialogue appeared⁢ first on The Western Journal.

How does One Piece challenge societal norms and ⁣explore various perspectives by not conforming to a specific ideology

‌Urnal.com/timeless-appeal-new-anime-follows-traditional-storytelling-template-changed-genre-game/” target=”_blank” rel=”noopener”>traditional storytelling template of “One‍⁢ Piece” is what makes‍ it so captivating and enjoyable. It’s a classic coming-of-age tale⁣ with memorable characters, epic adventures, and profound themes of friendship,⁣ loyalty, and ambition.

However, there is one‍ element that ⁤stands out from the rest — the portrayal ‌of ⁣gender dynamics.⁣⁣‍ Unlike many⁤ modern shows that prioritize promoting gender ‍equality, “One Piece” stays true to its source⁢ material, acknowledging⁤ the biological differences between ​men ‍and women without ‍diminishing​ the strength and capabilities of either gender.

While feminist critics⁣ may ⁤argue that the⁤ show perpetuates gender stereotypes, it’s important⁤ to recognize that “One Piece” is a work of fiction grounded ⁣in a fantasy world. The characters and their abilities are not meant to represent real-life individuals, but rather ‍to entertain and inspire ​viewers.

Furthermore, the show does not limit the ⁢potential of its female characters. They are portrayed as strong, independent, and resilient, with​ their own unique skills and roles in the story. Women are shown⁤ as capable⁢ of achieving greatness and contributing alongside ‍their male counterparts.

Ultimately, the inclusion of the controversial line ‌serves as a reminder ⁣that not all narratives need to conform to ‍a specific ideology. Artistic creations have the freedom to explore various perspectives and‌ challenge societal norms. It is through this diversity of thought‌ that we can appreciate the complexity of human experiences.

In ⁤conclusion, “One Piece” ⁤has garnered worldwide recognition and praise for its compelling ‌storytelling and engaging characters. While it⁢ may face criticism from feminist perspectives for its portrayal of gender dynamics, it is important to approach the ​show with an understanding‌ of its fictional nature⁤ and‍ the intention⁤ of⁤ its creator. “One⁤ Piece”⁢ serves as a reminder that art and entertainment can​ thrive when they embrace diversity and explore‌ a range of ideas.



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