The Western Journal

Time Releases Perfect Cover for Trump’s Inauguration, Almost Like They’re Apologizing

The article​ discusses the establishment media’s ‌relationship with Donald Trump and the potential ⁤implications of ⁢time Magazine’s new cover featuring him. The cover, titled “He’s Back,” portrays Trump in⁤ a more​ favorable light⁤ compared to past editions that depicted him as chaotic and embroiled in scandals. The animated cover shows ⁤Trump confidently dismissing the clutter on the Resolute Desk, hinting at a ‍desire for ⁢change from ​the previous governance under Joe Biden.

Though some interpret the cover ⁤as‍ a sign of Time’s ⁤attempt to reconcile with Trump, conservative critics remain ​skeptical. They ​suspect ⁤underlying disapproval in ‌the magazine’s ⁣description of ⁢Trump’s return as “disruption,” indicating ⁣a persistent bias in the media. Additionally,the article⁣ highlights the dichotomy between Trump’s supporters,who​ embrace the⁤ notion of disruption as positive,and the doubts​ raised by⁣ past media portrayals. Ultimately, the piece emphasizes the ‍lingering mistrust conservatives harbor‌ towards the mainstream media, suggesting that even perceived neutral portrayals are met with suspicion based on historical context.


Years of relentless and remorseless dishonesty have cost the establishment media the benefit of any reasonable doubt.

Thus, even a potential mea culpa triggers suspicion from conservatives in general — and supporters of President-elect Donald Trump in particular. And rightly so.

Sunday on the social media platform X, Time Magazine unveiled an animated version of its latest cover featuring Trump seated at the Resolute Desk in the Oval Office, accompanied by the words “He’s Back,” and presented in a style so reminiscent of past Trump-related covers — yet so obviously devoid of those past covers’ anti-Trump themes — as to at least raise the possibility that the establishment outlet intended the new cover as a way to ingratiate itself with the incoming president.

The animated version began with stacks of paper and a phone positioned in the middle of the desk.

Then, a determined-looking Trump, donning his signature red tie, swept into the photo from the left side of the page. In the process, he swept away everything that once sat on the desk.

Of course, an image of that kind raised legitimate questions about the outlet’s intent.

On one hand, no honest Trump supporter objects to the imminent prospect of Trump literally and figuratively sweeping away the refuse left behind by President Joe Biden’s calamitous administration.

Moreover, the new cover’s broader context suggests that Time intended a mea culpa of sorts.

For instance, during the first Trump administration, Brooklyn-based artist Tim O’Brien created a series of three Trump-themed covers, each of which depicted the then-president as either an agent of chaos or a man embroiled in scandal, per the news and entertainment website Mashable.

Two of those three covers showed Trump’s red tie blowing in the wind (despite the indoor setting). That visual, of course, accentuated O’Brien’s “chaos” theme.

The latest cover showed the same red tie blowing in the wind. But it depicted Trump as an agent of change and made no reference to alleged scandals.

Thus, the appearance of neutrality, or the absence of overt partisanship, allows for a charitable interpretation of the 2025 cover.

On the other hand, note the specific wording of Time’s post on X. “Donald Trump’s disruption is back,” the outlet posted.

Trump supporters love the disruption. We voted for it. But we also know, or at least suspect, that the establishment media’s use of the word implies disapproval.

Likewise, during the 2024 campaign, Time made no secret of its admiration for Vice President Kamala Harris.

Furthermore, X users appeared nearly unanimous in their suspicions that Time meant its latest cover as a simply a more subtle dig at the soon-to-be president.

Again, isolated from a broader context, Trump supporters would endorse Time’s depiction of the incoming president as a disruptor.

Knowledge of that years-long context, however, rightfully discourages us from giving the establishment media the benefit of the doubt.




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